"... Kokoro has taught me about elegance and
simplicity. My inner archetype is a diffuse awareness of purified energy,
which I call sl33n or simply 133. It's the energy of refinement, of
totality, prime directive, which resonates at the highest level of ability
(from a rational/linear perspective) or at the energetic center of things
(from a nonlinear / intuitive perspective). Kokoro's basic math basically
elminates all variables except for the 133 remainder. By hooking myself
up to various sensors and biofeedback machines, I can EXPORT my own
physical and mental vibrations and see the difference between my thoughts
and feelings, and their 133 remainder. I cannot yet directly input that
back into myself - Grayson's working on that - but I can look at the
difference and model myself after it.
My own image of who I would be
once I reach kokoro within my own heart, once my vibration becomes that
133 ideal is, simply, everything. This has more to do with influence
and mirage than it does with a specific image or identity. I think in
terms of systems operations and utility and in optimization. If you
want to eat a meal, you only need a knife and fork, or better yet remove
even those utensils and use your hands. Go directly to the data. Many
people think they need to stockpile hundreds or thousands of knives
and forks, and in so doing they lose the ability to move around their
own house.
This is a metaphor for running one's mind. At 133 I see myself
always in motion, in totally efficient motion, connecting with many
people, explaining things in very simple ways with great effect. I see
my language as perfected. I see myself uniting the dialects of the Japanese
people. I'm struggling with cross-cultural boundaries right now, and
what it means to be Asian versus American, for instance, or African
versus Swedish, and what that looks like on the data level. These are
larger processes I don't have adequate data sets to compile yet, but
we're working on it. Regardless, every action I take is toward that
133 ideal, every breath, every step, my posture, the way I focus my
mind on my next thought, allowing the entity within myself to completely
dissolve and shape into the container of my activity. And this actual
dropping-off of my own ideas and images is what allows me to merge with
my surroundings perfectly.
The difficulty - which is what I have kokoro
working on - is why we are in the moment in the first place. What is
linear time, or the illustion of linear time - and what is absolute,
or space? Why do we have two words for these things, space and time,
and why have they been combined into one word, spacetime, when no one
has that absolute experience?"
--Mugen, Cockfighter's Ghost IV (Ghostland)
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